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By Dawda Baldeh
Renowned Gambian artist Dodou Manneh, known as Nyancho (Apachaky), has once again stirred public discussion with the release of his latest single and official music video, “Duwolu,” a Mandinka word meaning “Vultures.”
Serving as a direct follow-up to his recent hit “Wulolu” (“Liars”), the track continues Nyancho’s focus on political commentary, social justice and national unity.
In “Duwolu,” Nyancho turns his attention to issues affecting ordinary Gambians, including corruption, unexplained wealth among public officials, youth unemployment, economic hardship and the erosion of national solidarity.
The accompanying music video presents the song not as a partisan attack, but as an appeal for better governance and greater consideration for the struggles facing ordinary citizens.
The song addresses the growing gap between everyday Gambians struggling with the high cost of living and public figures accused or suspected of misusing national resources.
Its lyrics also touch on the frustration of qualified young people taking dangerous migration routes in search of opportunities, the treatment of whistleblowers and the dangers of divisive political rhetoric.
“Duwolu is an appeal and a reminder that ordinary citizens are struggling and deserve better opportunities, security, justice, and dignity,” the singer’s team said.
Within hours of its release across digital platforms, “Duwolu” generated widespread discussion on Gambian social media, YouTube reaction channels and other online platforms.
Many listeners have praised Nyancho for using his music to give voice to public frustrations, with fans describing the track as a timely reflection on governance and the country’s priorities.
Commentators have also focused on the symbolism behind the title “Vultures,” interpreting it as a reference to people who benefit from public resources while ordinary citizens struggle.
Reaction videos and online discussions have attracted thousands of views, with listeners debating the role musicians can play in promoting accountability, social justice and peace.
Following the political debate generated by “Wulolu,” “Duwolu” further establishes Nyancho as one of The Gambia’s prominent musical voices on social and political issues.
By combining traditional Mandinka lyricism with contemporary Afro-fusion rhythms, the track demonstrates how music continues to provide a platform for public debate and social commentary in The Gambia.